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China Tour of
Birmingham Royal Ballet Britain
and Royal Ballet Sinfonia
Touring time: 2-25 January 2009 Touring Cities: Beijing,
Shanghai, Guangzhou Repertoire: Sleeping Beauty, Beauty &
Beast People on Tour£º150 Presented by Milky Way Arts &
Communications Co. Ltd
Birmingham Royal Ballet http://www.brb.org.uk/ Patron
Her Majesty the Queen President HRH The Prince of
Wales Vice-President The Lady Sarah Chatto
'I came to
Birmingham with the view to being creative, and today I believe we
have not only successfully secured the future of the Company, but
the whole dance culture in the city of Birmingham. We are geared for
great things.' David Bintley, BRB Director A
brief history of Birmingham Royal
Ballet
50 years since the Royal Charter was first bestowed,
BRB is looking forward with renewed vigour and security. Following
ten years of applause for David Bintley's creative leadership, the
Company now has a wonderful home in the acclaimed new Hippodrome
complex, which includes a state-of-the-art theatre, the Jerwood
Centre for the Prevention and Treatment of Dance Injuries, and the
Patrick Centre, a studio theatre for new work. The Company can also
boast a new Chief Executive, Christopher Barron, who is presiding
over a company now in a renewed position of important financial
security.
Birmingham Royal Ballet was formed in 1990, when
Sadler's Wells Royal Ballet moved to Birmingham. Everyone connected
with the Company proudly celebrates the versatility and flexibility
of an organisation that creates challenging new work alongside the
classics.
For Bintley, it is standing on the shoulders of
giants that allows a view into the future: 'The hallmark of the
Royal Ballet Companies has always been a mixing of classical and
more avant garde work. I feel very influenced by The Royal Ballet of
the 1950s and 60s under Ninette de Valois; she said we must have one
foot in the future and one in the past. Today this is crucially
important, both nationally and internationally.'
BRB is
welcomed enthusiastically around the world. The Company has recently
completed successful tours to the USA, Hong Kong and South Africa,
and plans to increase its international profile. Barron believes
audiences, both at home and overseas, hunger after the classical
history of the Company, the startling energy of its new work, and
the unique pool of talent it contains, on stage, in the orchestra
pit and behind the scenes. The arrival of Elmhurst School for Dance
in Edgbaston in 2004 is another crucial plank in the Company¡¯s
determination to nurture and retain the best young dancers in the
world.
BRB certainly has a devoted and growing audience in
Birmingham and beyond
Royal Ballet Sinfonia
As the most regularly contracted ballet orchestra in the country,
the Royal Ballet Sinfonia enjoys a very busy schedule, appearing
with Birmingham Royal Ballet in its home town, in London and around
the UK, and frequently with The Royal Ballet at the Royal Opera
House, Covent Garden. Overseas touring has taken the orchestra to
Greece, India, Yugoslavia, South Africa, Hong Kong and the
USA.
The Royal Ballet Sinfonia has appeared with many of the
world's other leading ballet companies, including Paris Op¨¦ra
Ballet, New York City Ballet, Australian Ballet, Les Grands Ballets
Canadiens, the Kirov, Norwegian Ballet, Atlanta Ballet, San
Francisco Ballet, La Scala Ballet, Royal Flanders Ballet, Harlem
Dance Theatre and Winnepeg Ballet. The orchestra's opera
performances include The Royal Opera's acclaimed production of
Turandot at Wembley Arena
Concert performances at
the Barbican, Royal Festival Hall, Birmingham's Symphony Hall and
other major British venues also form a regular part of the
Sinfonia's work. Regular concerts are given around the UK ranging
from chamber music evenings, to popular classics, and to Last Night
at the Proms type performances with fireworks in the grounds of
glorious stately homes. Every year the Orchestra takes the stage at
Symphony Hall, Birmingham, in a' An Evening of Music and Dance.'
These sell-out performances are presented by famous television and
radio celebrities such as Alan Titchmarsh and Brian
Kay.
Recording has become a regular feature of the
orchestra's life for which they have received much critical acclaim.
The Royal Ballet Sinfonia's recordings include video soundtracks to
Birmingham Royal Ballet's Nutcracker, Copp¨¦lia and
Hobson's Choice and CDs of English string music, the
Sullivan overtures, the film scores of Richard Addinsell, Far
from the Madding Crowd and the Ealing Comedies, which won the
1998 Gramophone Award for best film music.
The number of
musicians in the Royal Ballet Sinfonia is often increased to meet
the requirements of the score and the theatre in which the
performance is taking place.
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